Comments on: Art Is About Being In The World https://dy-online.com/being-in-the-world/ Trusted Art Business Coaching and Consulting Sun, 01 May 2022 03:10:01 +0000 hourly 1 https://wordpress.org/?v=7.1.4 By: Jenni Ward https://dy-online.com/being-in-the-world/#comment-27213 Thu, 07 Jan 2016 17:16:45 +0000 http://artbizsuccess.com/?p=19511#comment-27213 Thanks for this post Alyson, I’ve shared it on my blog today hoping to spread the inspiration for getting out of the studio a little more!
https://www.jenniward.com/being-in-the-world/

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By: Shelley Cowan https://dy-online.com/being-in-the-world/#comment-27212 Sun, 26 Jul 2015 16:00:48 +0000 http://artbizsuccess.com/?p=19511#comment-27212 You have hit the nail on the head when you say that it is a big red flag when you consider it the greatest compliment to be compared to your teacher, especially if you are making the same type of art with the same tools. It is our separate interpretations that make for a strong piece of art. If we just work in one way and only stick to what we were taught the work can lack something vital. Vibrant art is infused with character and variation. It makes you feel something and you need to form opinions for that to happen. Strong opinions are rooted in our life experiences. we become a reflection of our decisions and feelings. I think this is important information for any artist looking to make a career of their work. Thank you for the insight!

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By: Nanci Erskine https://dy-online.com/being-in-the-world/#comment-27211 Thu, 23 Jul 2015 18:06:29 +0000 http://artbizsuccess.com/?p=19511#comment-27211 Well, this rang lots of bells for me.
When I decided to leave my academic department, I was kinda fed up with many things.
But one of my last acts of rebellion was to structure my advanced drawing class around a service-learning model. ‘Never been done before in a studio course- this was the late ’90’s.
They worked with Alzheimers patients, kids in Big Brother art programs…. and kept reflection journals about their experiences. This was in addition to class time working on their own series of drawings.
Also, all the years I taught, like Tim Miller, I had all my students go out to various and sundry places to draw and interact with their environment and other people. . . gas stations, laundromats, greenhouses, grocery stores, horse stables, ice rinks, cadaver labs, day care centers, inside power plants…… every new situation compels you to consider, “what do I think about this?”

I was sometimes derided for being too ‘nuturing’, but I knew that helping students find their own voices, (or becoming sensitive to their surroundings as Irwin puts it), well as teaching them solid technique is the whole package. I have no regrets.

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By: Cherry Jeffs https://dy-online.com/being-in-the-world/#comment-27210 Thu, 23 Jul 2015 15:50:30 +0000 http://artbizsuccess.com/?p=19511#comment-27210 Totally agree. Part of developing our unique creative voice is fusing our non-art experiences into our work. Am writing a blogpost on this subject and will link to yours Alyson 🙂
Thanks for the Art-21 link. Excellent resource!

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By: Gail Frasier https://dy-online.com/being-in-the-world/#comment-27209 Thu, 23 Jul 2015 15:46:50 +0000 http://artbizsuccess.com/?p=19511#comment-27209 Thanks, Alyson, for this advice. According to your list of symptoms, I don’t get out enough.
I would love to attend your webinars of yesterday, today and tomorrow but I have a house full of summer guests. Could you please put me on the list to receive the recording?
Thanks, Gail

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