Hi, Lora. I could have sworn I responded to this. (maybe you also emailed me??) Meredith’s proposal as described in the podcast episode 262 was very simple. I would say it’s more like a pitch that outlines how you would work together, why you chose them, etc. In fact, for a nonprofit, I would suggest more of a personal pitch email than an exhibition proposal (since they aren’t doing the exhibiting).

Yes this is exactly my situation! I already have the gallery and the cutator gave me the time line to do the show. I have no idea what I am suppose to add as images in my proposal because I don’t have anything similar to what I am about to create. I think I am going to literally make rough concept sketches with a color palette board and I will add some old samples of my finished paintings that are obviously not the same theme.

So glad it’s helpful, DL. Thanks for reading.

Shirin: I’m sorry I missed your question earlier.

Most commercial galleries select artists in group shows from the list of artists they already represent. (In truth, group shows are rare in commercial galleries — mostly at the holidays, it seems.) However, this isn’t always the case. I suggest becoming a fixture in the galleries. Make sure you’re seen so they know you’re supportive and that they know you and your work.

Many thanks