Comments on: Taking Advantage of Non-Gallery Art Venues

By: What Is Your Art Business Costing You? — Art Biz Blog

Wed, 11 Jul 2012 11:00:55 +0000

[…] she found was that the venues where she had decent sales weren’t necessarily the ones that increased her income. There were […]

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By: Scott Hammond

Thu, 16 Jun 2011 20:10:55 +0000

Before Katrina New Orleans had a small indy movie house called Movie Pitchers that showed small films in small theaters full of old couches and sold pitchers of draft beer to viewers (hence the name). They were also one of New Orleans great secrets, an art gallery masquerading as a cinema. The walls in the lobby and hallways were lined with works by up and coming/struggling young artists, mostly in the $1-300 price range if memory serves. The place was a treasure, they sold lots of work and helped artists get exposure to their best audience-locals who have an interest in art. every city should have

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By: jeremy

Mon, 02 Aug 2010 16:21:27 +0000

Yeah, I have found that I have a passion for art in general, and this translates to seeking out good business. I love the idea of community coming together, what better way than for an artist to partner with a business that is doing a great job. If done right, it is a win win for everybody. There is a definite give and take, but it is fun to get out there and create your own success. Thanks for the responses!
-Jeremy

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By: Thanh Ngoc

Mon, 02 Aug 2010 15:15:15 +0000

I like the idea of how you’re trying to expose yourself whichever way, starting with the community gallery. Instead of just aiming for high-end galleries, you’re already getting your work seen.

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By: Nan Engen

Sun, 01 Aug 2010 16:02:57 +0000

Jeremy, this is a great article full of very practical suggestions on how to go about setting up art in Non-Art Venues. I’ve had limited success selling on-line for a couple of years and would like to try something like this. Thank you for writing this most helpful article.
Nan Engen

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By: Jaimee

Sat, 31 Jul 2010 16:01:03 +0000

Nice article. I’ve found that using non-traditional venues are helpful and a nice way to get exposure. In my experience, most non-galleries (especially bars and restaurants) don’t charge a commission because they make money off the food and drink the patrons order. The only tricky thing is when it comes to protecting your art and who is liable for damage to your work. Most places wish to stay off the hook for that and are sometimes reluctant to sign liability contracts.
I have some pieces currently on display at an office space in Manhattan. It has worked out beautifully in terms of exposure and really has enhanced the office environment there.

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