Comments on: Get Better Results with a Personal Plea https://dy-online.com/personalplea/ Trusted Art Business Coaching and Consulting Sun, 01 May 2022 03:13:29 +0000 hourly 1 https://wordpress.org/?v=7.1.4 By: Provide a Resource Guide for Local Artists « Art Biz Blog https://dy-online.com/personalplea/#comment-11826 Sun, 10 Feb 2013 23:21:42 +0000 http://artbizsuccess.com/?p=7584#comment-11826 […] Contact person (crucial for personalizing relationships!) […]

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By: Alyson Stanfield https://dy-online.com/personalplea/#comment-11825 Tue, 16 Oct 2012 21:02:40 +0000 http://artbizsuccess.com/?p=7584#comment-11825 Sarah HI. Sarah: I often use this method when writing single emails (not hundreds at once). But you can easily use this method using MailChimp or wherever else your email contacts are stored.]]> In reply to Sarah HI.

Sarah: I often use this method when writing single emails (not hundreds at once). But you can easily use this method using MailChimp or wherever else your email contacts are stored.

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By: Sarah HI https://dy-online.com/personalplea/#comment-11824 Tue, 16 Oct 2012 19:12:05 +0000 http://artbizsuccess.com/?p=7584#comment-11824 Alyson, Do you have software that you use for this so that you don’t have to compose 250 emails?

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By: Quadruple Your Email Subscribers — Art Biz Blog https://dy-online.com/personalplea/#comment-11823 Mon, 16 Apr 2012 11:01:12 +0000 http://artbizsuccess.com/?p=7584#comment-11823 […] 1. Get Better Results with a Personal Plea […]

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By: 6 Ways to Drive Traffic to Your Gallery — Art Biz Blog https://dy-online.com/personalplea/#comment-11822 Fri, 22 Apr 2011 11:01:10 +0000 http://artbizsuccess.com/?p=7584#comment-11822 […] personal invitations to your list – not just for the opening, but for the run of the exhibit. This means […]

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By: Alyson Stanfield https://dy-online.com/personalplea/#comment-11821 Fri, 01 Oct 2010 16:34:38 +0000 http://artbizsuccess.com/?p=7584#comment-11821 Kirsty E Smith. Good job, Kirsty! I wish I could be there and see the results of your efforts. Do stay in touch and let me know how it goes.]]> In reply to Kirsty E Smith.

Good job, Kirsty! I wish I could be there and see the results of your efforts. Do stay in touch and let me know how it goes.

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By: Kirsty E Smith https://dy-online.com/personalplea/#comment-11820 Thu, 30 Sep 2010 08:01:42 +0000 http://artbizsuccess.com/?p=7584#comment-11820 Hello Alyson
Amazingly I was doing exactly what you have advised only just last night! Writing a LOT of individual personal e mails.
I have a new show which I am promoting. It is only open for 14 days but as it’s part of the prestigious Liverpoool Biennial (UK) I am very excited and definitely need to get as much interest as I can.
Liverpool is 2 hours away from my home and a few months ago I had no contacts in that city.
So over the last couple of months I have visited Liverpool twice. I have chatted to artists that I have met at other galleries, and at the Biennial opening conference. Now I have e mailed personal e mails either mentioning something that we talked about or about their own art. (I have obviously visited their websites.) I am so greatful because now people are asking for showcards to distribute on my behalf!
I have gone through my e mail address book and selected out gallerists , curators, artists and friends that I am sending personal e mails to. I have then sent bulk e mails to the others.
But At the top of my bulk e mail I have added,
“Please accept my apologies for this mass e mail. However please do believe that I have hand-picked you to send this invitation to.
I will be showing new sculptural works and one video piece in this show.
Best wishes
Kirsty”
IF I have any spare time(!) before the show I will send more of the bulk list people a personal e mail too.
I wholeheartedly agree that nurturing relationships is a long term project.
Also just to confirm that yes I have had replies to every one of my personal e mails. This is especialy good as it’s helping me to feel supported and nurtured in the run up to my show.
http://www.frillipmoolog.co.uk/invitation.html

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