About My Guest

Sara Lee Hughes is a narrative painter living and working in Lockhart, Texas. Her representational narratives are influenced by growing up in the south during the 1970s and 80s with divorced parents and operate as metaphors for discovery, other-ness, identity, connection, balance and truth. As a body of work, they highlight moments, memories, and ideas that mark a journey of navigation through the differences between her gay father, straight mother and the socio-cultural norms of the era and those proceeding.

In her work she is most interested in exploring and sharing the connection she had with her father before his death of AIDS, the profound guidance it had on her life, and how this personal experience fits into our country’s broader social and cultural heritage.

Sara Lee studied classical drawing and painting at the Pennsylvania Academy of Fine Arts, where she earned a certificate in painting and printmaking. She earned her MFA in painting from Pratt Institute. 

Follow her on Instagram @sara.lee.hughes

The post The Art Biz ep. 131: Injecting Personal Narrative into Your Art with Sara Lee Hughes appeared first on Art Biz Success.

Adri is especially interested in shining a spotlight on women of color who have been overlooked in our history books.

In this latest episode of the podcast, I asked her about her work, her teaching, and her activism.

Less than one month ago, Adri was asked to design and direct the Black Lives Matter street mural in front of the Colorado State Capitol building. She selected the words Black Lives Matter Remember This Time for the mural. We discuss those words, as well as the symbolic colors she chose and how she involved community members in its making.

I also asked Adri what steps white artists can take to be helpful right now. Spoiler: This one’s on us. African Americans have been fighting this fight for centuries. It’s our turn to educate ourselves. Still, Adri had some helpful insights to share.

Listen Now

Music by Wildermiss.

Highlights

• Many ethnic groups in the U.S. in the 19th century didn’t even have citizenship. 4:10
• The four distinct series of works based on the quote “Well-behaved women seldom make history” from Laurel Thatcher Ulrich. 5:28
• Working with supports of varying shapes. 8:28
• Adri wants her work in places where everyone has access to them. 10:04
• Working with groups, organizations, and schools. 12:34
• Getting paid for her work in the community. 15:33
• Choosing Afro Triangle Designs as her business name and the part The Da Vinci Code played. 17:28
• I wonder if I’ve been too Eurocentric in encouraging artists to use their real names for their art businesses. 18:48
• Adri practices capoeira, the Brazilian martial arts form. 19:35
• Adri is asked to create the painting of the Black Lives Matter street mural in front of the Colorado capitol. 20:35
• The words of the Denver BLM mural are “Black Lives Matter Remember This Time” and the paint colors symbolize the different shades of skin tones that Black people tend to have. 21:39
• Why Adri chose those words for the mural. 23:06
• “This is not the first time in which people have come together to fight over these issues.” 25:33
• “I feel like once we know the true story, we have to tell that story.” 27:34
• How Adri used white in her mural to symbolize how people of color and black people exist in white spaces in this country—and how she involved other people in that process. 28:48
• The news coverage didn’t tell the whole story. 32:28
• Exhaustion sets in and Adri had to take a week off. 34:08
• In order to feel safe, Adri remains vigilant and has had some odd interactions with police. 34:55
• How white artists can help Black Lives Matter. 37:36
• How a landscape painter, for example, could take a stance and not sound performative. 40:00
• What playing into “the script” means to Adri. 42:10
• “Discomfort is where we learn.” 44:30
• Adri’s book recommendations. 45:52
• Adri’s plan for a graphic novel that is based on the history of legislation that hindered the right to vote for people of color. 47:42

Mentioned and Recommended

• Coffee at the Point
• Think360 Arts
• Women of Colorado Trading Cards
• Warrior Poet: A Biography of Audre Lorde by Alexis De Veaux
• The Color Purple by Alice Walker
• Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America by Lillian Faderman
• Babe Walls

About My Guest

In her art, Adri Norris shares stories to educate people about women of the past—hoping to inspire young girls with role models they’ve never seen before. Listening to the voices of the unheard makes adults think more about what they have and what they have yet to gain.

Adri was born in Barbados and raised in New York and New Mexico. A former U.S. Marine, she says she was raised to be a leader—to help people and improve lives.

Support her work: Patreon or send a donation to Afro Triangle on Venmo.
Follow her on Instagram.

In Context

You know(ish) about women’s suffrage efforts in the mid-19th century by Susan B. Anthony and Elizabeth Cady Stanton. But do you know the rest of the story? Do you know about how intertwined suffrage was with racial justice? with the temperance movement? This 2-part series, The Vote, aired this week on PBS (and is currently available to stream) is a must-see.

The 100th anniversary of the passage of the 19th Amendment is this year. On August 26, 1920, women in the U.S. finally got the right to vote. But that doesn’t mean that all women could freely and safely exercise this right. Watch. This. Documentary. !

Music by Wildermiss.

The post The Art Biz ep. 57: Elevating Women and People of Color with Adri Norris appeared first on Art Biz Success.